Brownstone Brass’s premiere holiday album
“Good Tidings”!
‘Good Tidings’ was officially released on Sunday, November 23rd. This premier album consist of nine holiday favorites arranged by the members of Brownstone Brass. The album is available for streaming wherever you get your music and is available for purchase on CD or Vinyl here!
Album Liner Notes
Track 3
“Mele Kalikimaka” arr. Oscar Wiley Thorp
My first exposure to Robert Alexander Anderson’s ‘Mele Kalikimaka’ was through National Lampoon’s Christmas Vacation. Bing Crosby and the Anderson Sisters’ version of the tune has been a favorite holiday song of mine as an adult, imitating Bing Crosby’s crooning is always enjoyable. For this arrangement, I wanted to feature every instrument (especially the tuba) on the melody while trying to keep a ukulele-like strumming going at all times. I also wanted to imitate somebody singing the tune out of time by rhythmically diminishing the bridge, sometimes with brassy punches and other times with jig-like ornamentations. The name ‘Mele Kalikimaka’ comes from the closest transliteration of ‘Merry Christmas’ in Hawaiian. I wanted to include another Hawaiian piece in the arrangement to expand the piece a little beyond the holiday, and the recognizable ‘Aloha Oe’’ by Queen Lili’uokalani felt the most appropriate for the closing of the piece.
Track 7
“Little Drummer Boys” arr. Oscar Wiley Thorp
After busking for years in New York City as a brass musician, ‘Little Drummer Boy’ is one of the most requested tunes…surprisingly almost as much as ‘Jingle Bells’ or ‘Rudolf.’ I’ve always liked the piece, too. It’s simple to sing, it is open to lots of percussion opportunities (ironically not used in this arrangement), and follows a relatively open form. When arranging the piece, I wanted to capture the sensation of playing the piece by ear. The space between the last note of a phrase and the first note of a new phrase is surprisingly hard to time when playing in a large group, so I wanted to recreate the tension by switching up the meter and adding fanfares that could have been improvised to fill awkward space. After arranging the main tune, I was unsatisfied by the ending, so I turned to Gustav Mahler’s favorite drummer boy, ‘Der Tamboursg’sell.’ The last of the songs written in his ‘Des Knaben Wunderhorn,’ this drummer boy is in a very different state than the boy from the carol (look it up if you are morbidly curious). The tragic ending led to the tragic opening of this arrangement, resulting in a joyful Christmas tune bookended by a dark homage to one of my favorite composers. That being said, the happy drummer boy definitely interrupts his doomed counterpart.
Track 9
“Auld Lang Syne” arr. Caitlin Featherstone & Oscar Wiley Thorp
You’ll have to wait for the tune you know and love in this arrangement. ‘Auld Lang Syne’ has a long and mysterious history. The melody has changed several times and the fluctuating pronunciations of the text has lead to multiple interpretations of the lyrics. This arrangement opens with one of these older melodies as a horn solo. The trumpet starts up another version of the tune, a snappy dance accompanied by snare drum and bagpipe imitations in the other instruments. Both of these versions of ‘Auld Lang Syne’ are combined into a raucous proclamation before suddenly fading out. A glockenspiel solo, meant to evoke the first snow of a new year, plays over the muted brass as they finish with the most famous ‘Auld Lang Syne.’ Fade to black…time to listen to the whole album again!